In Response To: 'Cheap' HD Video capture with the Intensity (Cody Miller)
: So there's been some talk about HD capture for Halo 3 on these forums. I just
: started doing it, so I figured I'd let everybody thinking of doing the
: same know what's up, and what you need. There's really only one good
: choice for cheap HD capture, and that's the Blackmagic Intensity. It's
: quite the amazing card. The standard version comes with HDMI in/out. If
: your Xbox doesn't have an HDMI port or you'd rather use component, then
: you need to grab the Intensity Pro, which has analog in/out. If you choose
: to capture and edit from an SD source, the analog connections are top
: notch and look wonderful.
: Pros:
: Cheap
: Very good quality
: Works with nearly every video standard
: Cons:
: RCA connectors for the analog inputs
: No SDI input (most HD tape decks and cameras output using SDI).
: Stiff Requirements.
: If you're thinking of getting it, make sure that you meet the requirements:
: -Intel Mac Pro or a PC with a PCI Express Slot (PPC Mac support promised
: in the future)
: -OS X 1.4.8 or later, or XP Professional/Vista Ultimate
: -2GB RAM minimum
: -7200RPM disk(s) and lots of free space
: -Quicktime Pro 7.1.3 or better
: -Cables
: -Media Express (comes with the card), Premiere Pro, or Final Cut Pro for
: capture.
: Once you have all that, you can capture Halo 3 in 720p! The intensity can
: capture 1080i as well, so it should work just fine with the PS3 and Gran
: Turismo 5.
: Setting up-
: Install the Blackmagic software and codecs.
: There aren't any cameras with HD inputs or tape decks that are reasonably
: priced, so the only practical option is to capture directly to the hard
: drive. Connect the output of the Xbox to the input of the Intensity. If
: you need to play while you capture, connect the output of the Intensity to
: your TV.
: Open up the Intensity System Prefs/Control panel and select the inputs and
: outputs you intend to use. Y, R-Y, B-Y means component, HDMI means HDMI.
: Capturing-
: You can capture from Blackmagic Media Express, or from Final Cut
: Pro/Premiere. Those are your only 3 options. Final Cut Pro or Premiere
: will give you more control over the way your video is captured.
: The first thing you need to do is decide what codec you're going to use when
: you capture. HD video consumes a lot of bandwidth, and if it's not
: compressed, even the fastest hard disk won't be able to keep up. Final Cut
: Pro and Premiere give you additional codecs to use, so if you may not be
: able to use them if you're capturing from Media Express. Here's what you
: can use: Uncompressed- Choosing this will by default capture the video
: uncompressed and be sampled at 4:2:2, which is standard for HD. This will
: run at 106.8 megabytes per second, which is more than any one drive can
: handle. If you have a RAID of 3 or more drives, you may be able to capture
: using this setting. Truthfully, if you intend to distribute the video over
: the internet, there is no reason to capture as uncompressed. By the time
: you compress the video for distribution it won't be in tip top shape
: anyway.
: Photo JPEG- Blackmagic's codec. The bitrate is adjustable, but defaults to
: about 5 megabytes per second. This is your best choice if you're on a PC
: and capturing from Media Express.
: DVCPro HD- This codec is broadcast quality, and is used a lot for editing. It
: runs at 14 megabytes per second. You may or may not have this option
: available from Media Express, depending upon whether the Quicktime
: component is installed. Choose this if you can, or if you can't use
: ProRes.
: ProRes- Only available in Final Cut Pro. Runs at around 30 megabytes per
: second, but is of higher quality than Photo JPEG or DVCPro HD. You need a
: beefy mac to use this, but if you have the CPU power and a little more
: disk space, this is by far the best choice.
: Pick your codec, and open whatever app you intend to capture through.
: Select your video format and compression type. The video format for Halo 3
: will be 720p at 59.94fps.
: In media express, select your video format and compression type by selecting
: 'preferences' from the menu. In Final Cut Pro and Premiere, select a
: capture preset matching your choices or create your own.
: If you need to be able to play while you capture, be sure to connect the
: video out from the Intensity to your TV.
: Hit the big red 'REC' button in Media Express, or the Big Red Button in
: Premiere to capture. In Final Cut Pro, set your device control to 'Non
: Controllable Device', then hit 'Capture Now'.
: That's it. If you used Media Express, you can simply take your file and
: import it into iMovie or whatever program you wish to use to edit. Be sure
: to get one that supports HD.
: Issues-
: General problems might be caused by software versions. Make sure you meet the
: requirements (if you're running Vista, Ultimate really is a requirement).
: Dropped frames: Either your disk(s) isn't/aren't fast enough, or your
: computer is too slow to compress the video in real time. It's most likely
: the disks. Choose a codec with a lower bitrate.
: Sync errors: You must capture at the correct framerate of 59.94. Capture at
: 60, and you will lose sync. Make sure when you are capturing or
: compressing that you specify the correct framerate. Since Halo 3 only runs
: at ~30fps, when you export your movie for the internet you will want to
: specify the framerate as 29.97 (half of 59.94).
: No video: Make sure you select the proper inputs in the intensity system
: prefs / control panel.
: Downscaling the output to SD while capturing doesn't seem to work for me (but
: it works elsewhere).
I have this CC, and I use the SDI Input for now. It works great either way, however if you want to work in HD, make sure you have a nice computer for rendering it in.
Otherwise SD Quality works great. I use it, and it works for me. I'll link some raw footage so you have a rough idea of the quality (NOTE: Raw footage from the CC). This is captured in Pal 60 (Equivalent of NTSC in England), so for those of you having problem with PAL 60, this is a great counter to it.
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